Eva Jordan reviews… The Hospital Hoppities by Charlotte Hartley-Jones Illustrated by Anjalee Burrows @anjaleebee Published by @EyriePress

 

Eve Reviews The Hospital Hoppities

My book review this month is something a little different for me. The Hospital Hoppities is a beautifully illustrated children’s story aimed at younger children that have to spend extended periods of time in hospital, the idea being to make their stay a little less scary and a lot more fun.

Ollie, a little boy waiting for his operation, is bored. His wise old grandmother tells him about the Hospital Hoppities: small, furry rabbits, with big eyes, shimmering fur and log floppy ears. They are, according to Ollie’s grandmother, magic rabbits that live in hospitals. “They look after the children and help the hospital be a happier place, but they don’t like to be seen”, so most of the time they make themselves invisible. They do this by thumping their back paw. However, one-day Ollie spots a Hospital Hoppity in the drawer of his hospital bedside cabinet. Somehow he has got his paw stuck. Ollie helps the Hoppity release his paw but when he taps it to make himself invisible, it doesn’t work. The Hospital Hoppity then asks Ollie for help, and between them they fly around the wards of the hospital carrying out good deeds.

Hoppities-3

Charlotte Hartley-Jones, the author of this delightful story, is a trained clinical psychologist and writer. She was inspired to write this story after her own first-hand experience of life on a hospital ward with a son with a chronic medical condition. She was keen to write something children could relate to, especially those that spend a lot of time in hospital, by taking some of the fear out of the experience. Therefore, although the story itself doesn’t focus on individual health conditions, the beautiful illustrations by Anjalee Burrows, a digital illustrator, do show medical equipment like heart monitors, drip stands and hospital staff wearing stethoscopes and scrubs, helping to ‘normalise’ such things. The storyline also empowers Ollie, the main character, by giving him a helping role, instead of a dependent one.

 

Hoppities-1

The Hospital Hoppities is a wonderfully magical, beautifully illustrated story that is both entertaining and comforting, especially for small children that have to spend time in hospital. It also makes the perfect companion for children visiting siblings and loved ones in hospital, helping to ‘normalise’ what can sometimes be a very daunting experience.

 

Hardcover: 32 pages

Publisher: Eyrie Press (30 Jun. 2019)

 

Advertisements

Eva Jordan reviews… The Tattooist of Auschwitz by Heather Morris Published by @ZaffreBooks

EJ Reviews The Tattooist of...

 

“Hope begins in the dark,

The stubborn hope that if you just

Show up and try to do the right thing,

The dawn will come.

You wait and watch and work:

You don’t give up”

–– Anne Lamott

 

Having recently visited the Auschwitz–Birkenau concentration camps in Poland I knew it was time to read a book that, due to the subject matter, I’d been putting off for a while. However, The Tattooist of Auschwitz, despite the horror and sadness surrounding it, is in fact a love story. One that shows, where possible, even during the most wretched of circumstances, you should never give up hope.

The author’s note at the beginning of the book reads, “This is a work of fiction, based on the first-hand testimony of one Auschwitz survivor”. She suggests reading some of the many detailed accounts available about the holocaust for those that would like further information on the subject. This story, however, in the main, concerns the experiences of survivor Lale Sokolov, a 24-year-old Jewish Slovakian who arrived at Auschwitz–Birkenau in April 1942. Lale becomes the camp tattooist, a position that affords him slightly better food rations and sleeping conditions than most. He hates what he does, “Tattooing the arms of men is one thing; defiling the bodies of young girls is horrifying”, but he does as he’s told because—well, what choice does he have? One day he spots a young woman waiting in line with her number written on a piece of paper. Shaking, she is obviously terrified but Lale takes her hand and begins tattooing her arm. Bravely, she doesn’t flinch, and when he’s finished she smiles at him. Lale discovers her name is Gita, and for him it is love at first sight. With a renewed sense of purpose Lale knows he has to survive Auschwitz, if only to ensure the survival of the woman he loves.

Written in close third person, this is an unsettling story. Having researched the holocaust whilst studying for my degree I am no stranger to the horrors that took place in the Nazi concentration camps. However, I’m also pleased to say, despite my initial trepidation about reading it, Heather Morris has written a tale about friendship and love, and above all else, a story of hope, which, unbelievably, even amongst the everyday occurrences of death, starvation and brutality, people still managed to hold on to. Well-written, honest and brave The Tattooist of Auschwitz doesn’t skirt the atrocities of the holocaust but neither is it too graphic. An engaging and powerful read including a beautifully written afterword by Gary Sokolov – Lale and Gita’s son – who growing up remembers a home filled with “love, smiles, affection, food and my father’s sharp dry wit”––testimony to, if it was needed, the shining strength of the human spirit.

 

Publisher: Zaffre

Paperback: 320 pages

 

Eva Jordan reviews…To Kill A Mockingbird by Harper Lee Published by Arrow @penguinrandom

Eva reviews To Kill a Mockingbird

 

‘Shoot all the bluejays you want, if you can hit ‘em, but remember it’s a sin to kill a mockingbird.’

It’s a long time since I read a classic and having read a lot of contemporary books of late, I decided I’d like to add a few more classics to my repertoire. Books I’ve promised myself I’d read but have never got round to. This month I chose Harper Lee’s To Kill A Mockingbird. An instant success when it was first released in 1960, widely read in schools and a Pulitzer Prize winner, it has become a classic of modern American literature. Therefore, it’s safe to say my expectations were high… I’m relieved to say I wasn’t disappointed.

Set in the sleepy fictional town of Maycomb, Alabama, during the Great Depression of 1930s America, this story centres on the trial of Tom Robinson, a black man accused of raping a white woman. Narrated in the first person by “Scout” real name Jean Louise Finch, across three years of her life, beginning at age six, the story’s main protagonist looks back in retrospect an unspecified number of years after the events of the novel have taken place. Scout, who also has an older brother, Jeremy “Jem” (a constant playmate and companion), is the daughter of one the town’s well-respected lawyers and hero of this story, Atticus Finch, also defence lawyer for the accused Tom Robinson. Atticus, a widower with a droll sense of humour, has instilled in his children his strong sense of ethics and justice. He is one of the few residents of Maycomb committed to racial equality and when he agrees to defend Tom Robinson, he exposes himself and his family to the anger and prejudices of the white community. However, with his strongly held beliefs, wisdom and compassion, Atticus serves as the novel’s moral backbone.

Beautifully descriptive, with a court scene that evokes all the senses, this is a humorous, nostalgic, innocent, and, as the novel progresses, increasingly dark and foreboding critique of society, including the era it was written in (there was a lot of civil unrest in America during the 1960s) and the time it was set in. To Kill A Mockingbird was a story of its time, however, it was also, in my humble opinion, a story ahead of its time… one that resonates as much now as it did sixty years ago.

 

Publisher: Arrow; 50th Anniversary edition (2010)

Paperback: 320 pages

 

Eva Jordan reviews… Truly Madly Guilty By Liane Moriarty Published by @PenguinBooks

Eva Jordan Reviews Truly, Madly, Guilty

“This story begins with a barbecue…”

I thoroughly enjoyed Big Little Lies by Liane Moriarty, and the TV adaption was pretty good too, so I was really looking forward to reading Truly Madly Guilty. I’m pleased to say I wasn’t disappointed. Easy to read with well-written dialogue and deliciously flawed characters, it hooked me from the start.

Set in Sydney, Australia, and centring on a group of friends at a barbecue, it quickly becomes apparent something troubling has taken place, something, which has deeply affected everyone, and keeps you guessing to the end, adding to the suspense and pace. The plot and chapters are character driven with each chapter either flitting back to the day in question, or forwards to the days and weeks that follow it. Written in close third person, the characters are likeable and annoying in equal measure, like real people. Marriage, childhood, parenthood, and friendships are some of the themes explored, and although each character comes with their own set of middle-class, suburban baggage, they are all authentic, well-rounded, and sympathetically drawn individuals. Moriarty uses wit, which is devilishly acerbic at times, and close, almost psychoanalytical observation to show us the three faces of her characters, namely, the face the world sees, the second face, reserved for close friends and family, and the third face – usually the truest reflection of an individual but also the face no one else sees, except, of course, the person themselves. Like all good writers, Moriarty allows the reader access to all these versions of her characters, whilst at the same time observing what makes them tick, including guilt, loneliness, PTSD, and difficult childhoods. When tragedy strikes, Moriarty’s brilliant prose sums up the thoughts, feelings and emotions surrounding the event in a way that feels both genuine and relatable via the inner ramblings of one of her characters, Clementine — “This is what it feels like. You don’t change. There is no special protection when you cross the invisible line from your ordinary life to the parallel world where tragedies happen. It happens just like this. You don’t become someone else. You’re still exactly the same. Everything around you still smells and looks and feels exactly the same…”

Brilliantly observed characters with a plausible plot, Truly Madly Guilty has enough twists to keep you turning the pages and enough depth to keep you immersed.

 

Publisher: Penguin (28 July 2016)

Print Length: 320 pages

Eva Jordan reviews… Handcuffs, Truncheon and a Polyester Thong: The adventures of Constable Mavis Upton (Mavis Upton Book 1) by Gina Kirkham @GinaGeeJay

 

Eva reviews... Handcuffs, Truncheon

This is the story of Mavis Upton, mother, daughter, friend to many, and of course, as the title suggests, police officer. And what a jolly, sometimes sensitive, but for the most part, politically incorrect, hilarious rollercoaster ride of a read it is.

The story begins in 2008 and opens with main protagonist, Mavis, in hot pursuit of burglar Billy ‘The Mog’ Benson, so called because of his renowned catlike agility. Having followed him up onto the somewhat decrepit rooftop of the local scrapyard, Mavis finds herself perilously swinging from a rusty old girder after the roof has given way. Dangling from the rafters with nothing between her and the jagged scrapheap of metal 35 feet below, the breeze whistling through her combat pants making her wish she’d worn thermal knickers instead of a polyester thong, and her life hanging in the balance, Mavis introduces herself.

“I am Mavis Upton. Constable 1261 Mavis Upton to be precise. Ace police driver and apprehender of naughty people; lover of crisps (any flavour); hater of big knickers, which if I survive this I’ll tell you about later; daughter to Mrs Josie Upton, sister to Connie and Michael and Mum to a rather headstrong young lady called Ella…”

Surviving her somewhat precarious predicament, Mavis then takes us back in time – to 1988 to be exact, where it all begins. Mavis, a thirty-something single mother of young daughter Ella, has an epiphany and decides to follow a lifelong ambition to join the police. Narrated in the first person throughout, the reader is then taken on a riveting, laugh out loud journey of the highs and lows of constable Mavis Upton, from basic training, to rookie, and eventually to somewhat older and wiser veteran.

Handcuffs, Truncheon and a Polyester Thong is a light-hearted, easy to read comedy about life. There are some sad, very poignant moments weaved among the high jinks and hilarity, which the author writes with great pathos and sensitivity (I dare anyone not to be moved by the scene that awaits Mavis after a desperate call from a 5 year old, or indeed the ending of the book), but on the whole this is a humorous observation of this thing called life and the many characters that shape it. Mavis comes across as a very real, very warm, if somewhat accident-prone individual; her courage and kindness often reflected in the deeds and actions of those closest to her. I loved the endearing, maternal devotion between Mavis and her daughter, and Mavis and her mother, which simply oozed mother-daughter love, and although some of the jokes and one-liners of her biscuit dunking male work colleagues might raise a few eyebrows these days, it very much reflects the humour of the era the book is set in. A jolly, feel-good read and one I highly recommend.

 

Publisher: Urbane Publications Limited (18 May 2017)

Print Length: 320 pages

Available to purchase from Amazon

Eva Jordan reviews… Where the Wild Winds Blow by the Whittlesey Wordsmiths

Eva Jordan reviews - Where the Wild Winds Blow - the Whittlesey Wordsmiths

Recently, a member of a local writing group approached me and asked me if I’d be interested in reviewing a book they had put together and published. Honoured, I said I’d love to.

Where the Wild Winds Blow is an eclectic mix of fact and fiction, featuring short stories, poems and memoirs contributed by the various members of the Whittlesey Wordsmiths. I have to say; I wasn’t sure what to expect, but I will admit I was pleasantly surprised. Informative, thought-provoking, and at times, enjoyably humorous, it was a real pleasure to read.

At just over 400 pages long it is quite a dense book, but for me, it is not a book that should be devoured all at once, but rather savoured, slowly. Neither does it need to be read sequentially, but rather picked up and flicked through until something piques your curiosity or catches your eye, be that poem, short story or one of the more factual pieces. There’s certainly a wide variety to choose from. I loved the black humour of Jan Cunningham’s somewhat morally bankrupt character in The Mitherers. Then there was Stephen Oliver’s curious tale of Peter Lewis, which recants the story of a modest, seemingly level headed man who lives in constant terror for his life thanks to the same monthly reoccurring nightmare.

Val Chapman’s Amos, concerning a 92-year-old chimney sweep that has won a national writing competition, was hilarious. Largely unimpressed with the pomp and flowing champagne at the award ceremony, Amos is far more concerned about how he can get his hands on a pint of Guinness. Some of the poems, which reflect the bleak beauty of the fens, are eloquent and evocative, while others are witty and amusing. Plus, if you’re looking to brush up on your local history of the fens there’s Philip’s Cumberland’s aptly titled, The Fens (very briefly), packed with lots of interesting facts including several notable historic individuals, like Samuel Pepys and Oliver Cromwell, and their links to the area.

Where the Wild Winds Blow is a veritable box of delights and makes for great reading. The writing is impressive, especially as, noted in the acknowledgements, many of the contributors started their writing projects later in life. A lovely anthology, it would make a thoughtful gift for someone with an interest in the fens or just the book lover in your life, and one I highly recommend.

You can find out more about the Whittlesey Wordsmiths here and buy a copy of the book here, and here.

Eva Jordan reviews… Anything You Do Say by Gillian McAllister‏

Eva Jordan reviews Anything You Do Say - Post Header

Cleverly written, Anything You Do Say is the first Gillian McAllister book I’ve read, and it definitely didn’t disappoint. Described as a Sliding Doors psychological thriller, the story starts with Joanna, the main protagonist, committing a criminal offense, albeit accidentally, at which point the story splits into two; one called Reveal, the other, Conceal.

Set during the present day, both stories, told in the first person, centre on Joanna Oliva, a young woman living in London with her husband, Reuben. The story begins with Joanna on a night out with best friend Laura. They are in a bar and leave when a man, who has been harassing Joanna, unsettles them. Once outside, and away from the bar, Joanna and Laura call it a night, say their respective goodbyes and head home in different directions. Joanna hears someone walking behind her. Too afraid to look she is convinced she is being followed. She spots a flash of red at the top of a set of stairs on a towpath, which confirms her suspicions. Her pursuer is wearing the same red trainers worn by the man who earlier, in the bar, had been harassing her. In her panic, Joanna spins round and pushes “his body, firmly, squarely, the hardest I’ve ever pushed anything in my life” down the concrete stairs, and this is where the story splits.

We then follow Joanna’s journey where in one story she reveals what has happened, and in the other, she conceals what she has done. As expected, both choices have huge ramifications, which impact on both her life and that of friends and loved ones. Joanna is one of life’s procrastinators, who, unlike her husband Reuben, prefers to avoid her problems—“He’s (Reuben) never done denial. Not like I have… He confronts issues head on… Calmly, not hysterically, not the way I eventually tackle things I’ve been avoiding for years.” However, due to her actions, Joanne is forced to face up to herself and what she has done—in both stories.

Gripping, pacy, and well written, Anything You Do Say glides easily between the two parallel timeframes with no awkward repetition. I was totally invested in the characters and particularly enjoyed the exploration of the ‘what ifs ’ in each story, as well as the diverse responses and differing attitudes to Joanna’s behaviour by those closest to her. Well worth a read, and one I really recommend.