Mother is a dark psychological thriller that takes place in Leeds in the UK during the late 70s, early 80s set against the backdrop of the true-life murders taking place in the area at that time by the serial killer, Peter Sutcliffe, dubbed by the press as the Yorkshire Ripper. Written in the third person by an unknown narrator, Mother tells the story of eighteen-year-old Christopher Harris just as he is about to leave home and set off for university. However, shortly before doing so, Christopher discovers a letter that sets off a chain of events that will change his life forever.
Christopher Harris is socially awkward, which may in part be attributed to his age, in part to his upbringing. It is obvious Christopher is loved and cared for by his parents but it also clear they are not particularly demonstrative and as a result, Christopher has always felt different, like a bit of an outsider. “Not that Jack and Margaret Harris were bad people. They were what you’d call traditional, but like all parents, they did their best.” So when Christopher discovers a letter in a battered old suitcase in the loft he is surprised but not necessarily perturbed to find that, unlike his younger brother and sister, as a baby, he was adopted.
The first half of the book then sees Christopher settling into student life at university alongside his search for his birth mother whom he discovers and makes contact with. Christopher has high expectations regarding his ‘real’ mother, hopes that through her he will discover his ‘real self’, and “for her, he would be everything she was hoping for in a son. He would be a boy she could not refuse. For Phyllis, he would be normal”.
Initially quite slow to begin with, the story rapidly picks up pace in the second half. It would also be fair to say that the first couple of chapters, like some reviewers have stated, are also slightly confusing. However, I would implore readers to stick with it as all will be revealed as events and characters slot into place. Brilliantly written, this is a dark, coming of age story exploring the basic human need to assimilate, to somehow ‘fit in’ and belong – sometimes at any cost. It is also a story about obsession, both for the things we want in life and for the life we believe we are entitled to.
The characters are well developed and believable and although Christopher, at times best described as creepy, also proves to be extremely vulnerable, desperate, even. Lynes use of language is wonderfully descriptive and emotive and it was great to reminisce and be reminded of the music, fashion and culture of my own formative years. If you like creepy psychological thrillers with some dark twists and turns then this is a must read.